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We come out and film your actual work.

The platforms don't punish AI. They punish content nobody put anything into. Meta cuts distribution for accounts that keep reposting other people's work. Google treats mass-produced pages as spam — “no matter how it's created.” YouTube won't monetise videos that read as templates with no original perspective in them. Audiences do the same thing by instinct: they reward content that looks like a person actually made it. So we own the cameras, we drive out to you, and we film the job you were doing anyway. You already have the raw material. Nobody's filming it.

How we work together

Not a menu of options. This is the whole process, and it runs the same way every month.

  1. A laptop open on a screen of figures.

    Research

    We find who is already searching in your market and what your competitors own, before anything gets filmed. That same research sets your site copy and your search targets — one body of work, four uses.

  2. Hand-drawn layout sketches spread across a desk.

    Plan the run

    A month of short clips mapped out before the shoot, in the words your customers actually use. You see the plan before a camera comes out.

  3. A camera operator lining up a shot on a handheld rig.

    Film and edit

    We drive out and film the job you were doing anyway, then cut it ourselves. You are not handed a shot list and left to film it on your own phone.

  4. A finished clip open on a phone beside a laptop.

    Post it as planned

    Out on the schedule we agreed, to the accounts you already have. Nothing sits in a folder waiting for you to do something with it.

Book a call

Social media management packages

Every tier runs the same four steps above. What changes is how much gets filmed and posted.

  • Grow

    $1,650 / month

    10 videos a month

    One location, getting started.

    • 43,000 views a month, guaranteed
    • Onboarding and monthly review calls
    • Market and competitor research
    • Scripting and the month planned out
    • Filming — we come to you
    • Editing
    • Uploading to your accounts
    • 6 photo and carousel posts
    • 8 sales-focused Instagram stories
    • 4 reposts and shares
    • Weekday email support
    • Monthly report
    Book a call
  • Dominate

    $3,900 / month

    30 videos a month

    Owning the category in your area.

    • 100,000+ views a month, guaranteed
    • Onboarding and monthly review calls
    • Market and competitor research
    • Scripting and the month planned out
    • Filming — we come to you
    • Editing
    • Uploading to your accounts
    • 15 photo and carousel posts
    • 18 sales-focused Instagram stories
    • 12 reposts and shares
    • Weekday email support
    • Monthly report
    Book a call

Filming is included in every tier. You are on camera; you are not behind it.

Try one before you commit

$200 for one video

Not ready to commit to a month? We come out, film for about an hour, and you get one finished video. Up to three of them, one a week — after that it is a monthly package or nothing. The file is yours either way. No view guarantee on a single video.

Travel is included within 30 miles of Peotone. Past that it is 55¢ a mile, round trip.

Shot, cut and posted by the same two people — the reason it sounds like one voice.

What this actually buys you

  • A camera screen framing the shot on location.

    An online presence that sounds like a person.

    Most local business pages read like they were written by a machine, because increasingly they were. Yours is you, on your own job site, saying it the way you'd say it to a customer standing in front of you. That is the one thing a competitor cannot copy off you.

  • An OPEN sign hanging inside a shop window.

    Proof you're open and working.

    A page that last posted in March tells someone you might not be in business. A page with this week's job on it answers that before they ask.

  • A finished clip open on a phone, held up beside a laptop.

    Something to send.

    A customer asks whether you've done a kitchen like theirs. You send the clip instead of describing it.

  • A business lit up at dusk with the lights on and tables out.

    A Google listing that stays alive.

    Fresh photos and posts are part of what decides whether you show up in local results at all — so the filming is quietly doing the search work too.

  • An editing timeline with the day's takes laid out across it.

    Footage you own.

    The long takes go on your website and get used again next year. A day of filming pays for more than one post.

See a whole shoot, uncut

Most portfolios show you the ten best frames. This is all 546 from one day, in the order they were taken — so you can see the rhythm of an actual shoot instead of the highlights.

Real shoot

A wedding, all 546 frames

Three hours, one camera, every frame kept. Laid out so the tile size follows the shooting rhythm — burst frames pack tight, frames that stood alone get the room.

Frames
546
Shoot
3h 00m
Kept
All of them
  • The front of a shop seen from the parking lot.
  • An STMS shirt, close.
  • A product picked up off the shelf in a shop.
  • At the counter inside a small shop.

Not stock. This is the work, filmed on the days it happened.

FAQs

Do I have to be on camera?

Yes. That's the part that works — people hire the person, not the logo, and a stranger's face in a video does nothing for you. If being on camera is a hard no, this isn't a fit and we'd rather say so now than take your money for six months of clips nobody responds to.

How often do you actually film?

We agree a real number up front — once a month, twice, whatever fits your work — and we put it in writing rather than saying 'regularly'. Turning up steadily beats a big burst: four shoots spread over four months does more than four shoots in one week and then nothing until spring.

What if I don't have time to be part of the shoot?

Shoots happen around your real work. We're filming the job you're already doing, not asking you to stage something new. It just adds a camera to your day — not a new task on your calendar.

Who actually edits and posts this — you, or a freelancer?

Us, directly. The footage doesn't get handed off to some freelancer we manage from a distance. The same two people who shoot it also edit it and post it. That's part of why it feels like one voice, not outsourced work.

Couldn't I just use AI to make this cheaper?

You could, and for some things you should — we use it for drafts ourselves. What it cannot do is stand in your shop. In a study of over a million TikTok posts, ones carrying the platform's AI-generated label got about 7% less engagement than posts without the label that got the same number of views, and viewers rated the person behind them as having put in less effort. That last part is the whole finding: what gets punished is visible lack of effort, not the tool. Nobody hires a cabinet maker because his captions read well. They hire him because they watched him build something.

What does this cost?

Two numbers. One payment up front to work out what's worth filming and plan the first few months of it. Then a monthly fee that covers the filming, the editing and the posting, every month. The monthly depends on how often we come out — twice a month costs less than every week — so we price it after we've agreed a schedule, not before.

Hands lining up a shot on a handheld camera rig.

Talk to us before you commit to anything

The call costs nothing and obligates you to nothing. Tell us what a normal work week looks like and we'll tell you honestly whether there's enough there to film — some businesses there isn't.

Book a call